As TV viewing habits shift from a few shows watched by the masses to several shows that are each supported by a devoted few, we're also getting more nuanced, detailed and unique voices.
For example, the heart and irreplaceable point of view Louis C.K. brings to the character and story of "Louie" makes the FX comedy infinitely watchable. Lena Dunham's Hannah Horvath on "Girls," and really the entire cast, can be relatable, detestable and endearing all in one episode.
This was the year that Max Greenfield really came into his own, stealing many "New Girl" scenes as Schmidt.
This year also brought the arrival of Don Cheadle's immoral but surprisingly sympathetic Marty Kaan on Showtime's "House of Lies" and the hilariously horrid B.J. on "Ben and Kate." And has there ever been anyone on network television like Chloe, the title character from "Don't Trust the B---- in Apartment 23?" You'd be hard-pressed to find more individuality than on top comedies like "Parks and Recreation" and "Happy Endings."
Granted, the "quirk" factor has been in overdrive on TV lately, but all attempts toward originality are welcomed by us.
5. Quality over quantity
We hate breaks between seasons as much as anyone who shifts their schedule around their TV-viewing plans, but not every story needs to be fleshed out for 22, or even 12, episodes and extended for seasons. In fact, there are quite a few series we can think of that should've given up the ghost several episodes ago.
Rather than forcing us to watch something beloved collapse under the strain of an increasingly stretched plot, miniseries like BBC America's outstanding "Sherlock" or History's one-time-only "Hatfields and McCoys" offer only as many episodes as the story supports. And in doing so, the quality remains intact.
6. Don't be afraid to kill a character
As much as viewers may weep, showrunners everywhere should take note that virtually no one is safe on the most highly acclaimed dramas. "Game of Thrones," "Boardwalk Empire," "American Horror Story: Asylum," "Mad Men," "The Walking Dead" and "Homeland" have all been willing to sacrifice a character or three in the name of maintaining an unpredictable and affecting story.
7. Give good send-off
With many of our favorites headed into their series finales, including "30 Rock," "Fringe" and "Breaking Bad," we have to say we like where the road to the end is carrying us.
From Walter White's continued descent into darkness, to a final showdown with the Observers, to Liz Lemon's exploration of having it all -- complete with a Princess Leia costume to get married -- the creative teams are acknowledging that now's the time to raise the bar for excellence even higher. Here's to seeing both series, as well as others wrapping up in 2013, going out on top.


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