PARIS – The 518-year-old Mona Lisa has seen many things in her life on a wall, but rarely this: Almost four months with no Louvre visitors.
As she stares out through bulletproof glass into the silent Salle des Etats, in what was once the world's most-visited museum, her celebrated smile could almost denote relief. A bit further on, the white marble Venus de Milo is for once free of her girdle of picture-snapping visitors.
It’s uncertain when the Paris museum will reopen, after being closed on Oct. 30 in line with the French government’s virus containment measures. But those lucky enough to get in benefit from a rare private look at collections covering 9,000 years of human history -- with plenty of space to breathe.
That's normally sorely lacking in a museum that's blighted by its own success: Before the pandemic, staff walked out complaining they couldn't handle the overcrowding, with up to 30,000-40,000 visitors a day.
The forced closure has also granted museum officials a golden opportunity to carry out long-overdue refurbishments that were simply not possible with nearly 10 million visitors a year.
Unlike the first lockdown, which brought all Louvre activities to a halt, the second has seen some 250 of the museum employees remain fully operational.
An army of curators, restorers and workers are cleaning sculptures, reordering artifacts, checking inventories, reorganizing entrances and conducting restorations, including in the Egyptian Wing and the Grande Galerie, the museum’s largest hall that is being fully renovated.
“We’re taking advantage of the museum’s closure to carry out a number of major works, speed up maintenance operations and start repair works that are difficult to schedule when the museum is operating normally,” Laurent le Guedart, the Louvre’s Architectural Heritage and Gardens Director told AP from inside the Grande Galerie.