JACKSONVILLE, Fla. – André Troutman is carrying his family’s musical legacy from Jacksonville all the way to the global stage as music director for Kanye West, now known as Ye, and a featured vocalist on the artist’s latest album, “Bully.”

He said that growing up, music was all around him.

“I knew all the jingles on TV, every commercial, every radio song that came on, I was singing to all of them, sometimes to my detriment in school,” Troutman said of his earliest memories.

Watch the full interview below.

He sang in his elementary school choir for a treat in the holiday concert, but he learned he liked singing.

“I went for the popsicles and stayed for the singing,” Troutman said. “But that was my first time ever in any organized singing.”

Troutman, an arranger, producer, singer and composer who studied vocal performance at Douglas Anderson School of the Arts, said he decided to pursue music as a career early.

When he was in middle school, his uncle Darryl Hall had a summer camp called 100 Youth Voices State Aurora Performing Arts Camp, which he said was his first introduction to performing arts.

“It gave me the exposure to all of those arts areas, things that I had just been doing on my own at home and I used to pretend like I knew how to sing opera, not knowing that I would literally end up getting a full scholarship for singing classical music,” Troutman said. “I like doing this and I can get paid doing it on Broadway and back then I’m like, ‘wait, you get paid to do this? I was like, ‘Oh, I could do this. I want to do this for the rest of my life.’”

He described a turning point during a church service in Jacksonville that pushed him to relocate to Los Angeles. In high school, he visited his Uncle Mike, who lived there. He did a few things on TV with BET, but he found himself wanting more while he was playing the keys at Central Baptist in Jacksonville.

“God was like, ‘Yes, I have to go,’…I was like, I was like, right now I’m in the middle of offering. I’m in the middle of playing right now. It’s like, yes, it’s time to go…He said to me, ‘You’re a big fish in a small pond, and I need to expand you globally.’”

So he headed to Los Angeles with no real plan, only knowing his uncle Mike.

‘How do you do that?’: The talkbox family legacy

Troutman is a relative of Roger Troutman of the 1980s funk band Zapp & Roger and has embraced the talkbox that helped define that sound.

The talkbox is a device that is connected to an instrument, usually a keyboard. The device directs sound from the instrument into the user’s mouth through a plastic tube adjacent to a vocal microphone. The musician controls the instrument’s sound by changing the shape of their mouth, vocalizing the instrument’s output into a microphone.

Zapp & Roger popularized the talkbox through hit songs like “Computer Love” and “I Heard It Through the Grapevine.” They also influenced the West Coast hip-hop scene with their songs being sampled.

André Troutman said he first became serious about the instrument after hearing his cousin Rufus use it in the Sunday service during their family reunion in Ohio.

“After the end of service going up, and I was like, how do you do that?” Troutman said. “I went and bought one. I went to Guitar Center and went bought one. And I knew that I wanted to play it on keytar because I wanted to be cool.” He described the learning curve with a laugh: “A lot of practice, a lot of weird faces, and a lot of bad notes.”

Troutman describes himself as a singer first and at the time, he was heavily in gospel music. He was trying to figure out how to integrate the talkbox into what he already does.

“I felt a definite inherent responsibility to honor the shoulders on which I stand, and do it to my absolute best ability,” he said. “When people did start holding me in the same sentence as Roger and Zapp, it was a huge responsibility for me that I took with honor and humility...”

He acknowledged the doors that playing the talkbox has opened for him.

‘That was everything to me’: Working with Kanye West

Troutman said he began working with West in March 2025, initially helping with music and production for live shows.

“Literally just coming along, to help in the area of music and production,” he said. “It’s a beautiful thing working with him because he’s such a universally creative person, incredibly wise in how he formulates things...it’s like a vortex of just pure energy.”

That collaboration grew into a larger role orchestrating music for West’s stadium tour and contributing to “Bully.”

“All the Love happened. It was just a very incredibly organic. And I feel like very organic and very God move how it was, was all orchestrated and it just flowed,” Troutman said.

Performing the song for stadium audiences, he added, has been “mind-blowing.”

Troutman said having his name on “Bully” was deeply meaningful after years of working as an independent musician.

“To be able to Google me and just see my name next to something that I created, that mattered that much to me. That was everything to me,” he said, noting how important the credit would be for his mother and daughters to see.

His family and the world can see that he earned his first two entries on the Billboard Hot 100 list with “All the Love” and “White Lines.” He said the recognition meant everything to him.

“I remember the night that I reached out to him and expressed how important it was for my name to be on this,” he said.

He said of the live show at So-Fi Stadium in Los Angeles that he hadn’t really had a chance to sit and take in the magnitude of the performance because it’s happened so fast and they’re gearing up to continue the stadium tour, including a performance on June 26 in Tampa.

“It’s a story I couldn’t have written,” Troutman said. “It’s really hard for me to put into words...”

It’s an immense accomplishment for an independent artist from Jacksonville who’s never signed a record deal.

‘Build with the people next to you’: Advice for Jacksonville artists

Troutman urged young creatives to build with peers in their own community.

“Instead of reaching up to this impossible build with the people next to you,” he said. “The world will come and find you and they will hear you make a noise when you build.”

He said the collective community that you create will elevate you to the next level, not the people who may be out of your reach.

He pointed to a network of Jacksonville artists — many who attended Douglas Anderson — who have supported one another.

“I call my friends first, and then we build and grow up together,” he said.

‘We are a diamond’: Jacksonville’s arts growth

Troutman praised recent civic investments such as the Riverfront Music Garden and the Jacksonville Walk of Fame, calling them the realization of long-held dreams.

“This is a manifestation of dreams and conversations we had 10, 15 years ago,” he said. “It takes money to create art. And it takes money to be sustainable. And there’s seeds. I look at it as investments.”

While he isn’t featured on the Walk of Fame (yet), he urged continued investment and communication to help the city’s creative economy grow.

“We have a plan to do that with Jacksonville. We have as many accolades as any other city. We are a diamond,” he said.

‘Behind the board, I am...’

“Behind the board, I am The Oracle,” he said. “My gift is being able to see beyond what people see. Cannot hear sometimes beyond what people hear. Vision and connectivity. I can see it oftentimes. I can see the tree when it’s still the seed. I can pull people together and pull the best out of people, and really guide the energy.”

Troutman’s rise from performance arts in Jacksonville to stadium stages and the Billboard charts reflects a mix of craft, community and persistence — and a commitment to honoring the musical lineage that shaped his sound.