Our Native Daughters bring Black women's voices to forefront
This image released by Smithsonian Channel shows, from left, Rhiannon Giddens, Allison Russell, Leyla McCalla and Amythyst Kiah, of Our Native Daughters, near Parks, La., on Jan. 29, 2018. The group will appear in the documentary "Reclaiming History: Our Native Daughters" premiering Monday on Smithsonian Channel. (Terri Fensel/Smithsonian Channel via AP)NASHVILLE, Tenn. – Playing a banjo as a Black female artist is a form of activism for the four members of Our Native Daughters. Why does someone assume if you’re Black, you must be doing urban music, whatever that means?” said Russell. “Songs of Our Native Daughters” which came out on the Smithsonian Folkways record label in 2019, focused on the stories of women during the transatlantic slave trade, but also the triumphs of Black women.
Silkroad's new face: Grammy-winning artist Rhiannon Giddens
Silkroad, the acclaimed international musical collective with a social conscience, has a new face and a fresh sense of purpose. Grammy-winning folk singer and instrumentalist Rhiannon Giddens is Silkroad's new artistic director, taking the baton from renowned cellist Yo-Yo Ma, who founded the group two decades ago, Silkroad said Tuesday. The 43-year-old North Carolina native is the first woman and first multiracial artist to lead Silkroad. In addition to her enormous musical talent, she fosters an immense social consciousness and creates unity through her art," said Kathy Fletcher, Silkroad's executive director. Silkroad has recorded seven albums, including Sing Me Home, which won a Grammy in 2016 for best world music.
Country music reckons with racial stereotypes and its future
This combination of photos shows country singer Rissi Palmer, from left, Chuck Harmony, left, and Claude Kelly of Louis York and country rapper Breland. Black artists say the country music industry still needs to do the hard work of addressing the systematic racial barriers that have been entrenched in country music for decades. The genre has historically been marketed to white audiences and reinforced white male artist stereotypes. (Chris Charles via AP, left, Jeremy Ryan via AP, center and Paul R. Giunta/Invision/AP)
Country music reckons with racial stereotypes and its future
Black artists say the country music industry still needs to do the hard work of addressing the systematic racial barriers that have been entrenched in country music for decades. I was called colored, like, I didnt know colored people like country music, said Palmer, who had three singles reach the Hot Country Songs Chart. Both the Academy of Country Music and the Country Music Association started diversity task forces more than a year ago when country music was being criticized for a lack of female voices and women were being left out of major categories like entertainer of the year. But just as country artists outwardly reflect a predominantly white image, there are few Black country music executives working behind the scenes. Theres a dismantling of culture that needs to happen.Palmer, who is recording a podcast that focuses on the experiences of women of color in country music, said she feels optimistic that the current discussions about race and country music can lead to progress, if real changes are implemented.